We read about there being a Fascist architecture and a Soviet Archtecture, but we tend to think of Art Deco as just Deco, decorative and not having a politics. Yet it appears that Art Deco served a purpose in supporting white supremacy during the 1930s.
Look at these pictures.
And this picture.
These are pictures for the Empire Exhibition of 1938. If you read the literature of Texas Centennial guides and other items, you find the word "empire" over and over again. Not surprisingly the formula of Fair Park is in a larger context of other empire exhibitions using Art Deco to make white supremacy seem modern.
I have purchased several books on this, a couple have shown up in the mail. One is "Modern Architecture and the End of Empire," by Mark Crinson and the other is "Hybrid Modernities: Architecture and Representation at the 1931 Colonial Exposition, Paris," by Partricia A. Morton.
I have on order yet one final book, "A Dream of the Future: Race, Empire, and Modernity at the Atlanta and Nashville World's Fairs."
https://www.amazon.com/gp/product/0190274727
I think these new materials will give some new insights into Fair Park, but also give more credibility into the observations I have made about Fair Park. They aren't some local eccentric perception made by myself, but something that has been generally observed by the larger academic community.
Wednesday, January 30, 2019
Letter to the Equal Justice Initiative asking them not to collude with the city of Dallas until the city of Dallas gives up glorifying pro-lynching leaders in their past.
Letter to the Equal Justice Initiative asking them not to collude with the city of Dallas until the city of Dallas gives up glorifying pro-lynching leaders in their past.
There are other things in Dallas I am discovering relating to lynching and I will likely write the Equal Justice Initiative again.
There are other things in Dallas I am discovering relating to lynching and I will likely write the Equal Justice Initiative again.
December
19, 2018
Edward
H. Sebesta
edwardsebesta@gmail.com
Jerome
Gray
Chairman
of the Board
Equal
Justice Initiative
122
Commerce Street
Montgomery,
Alabama 36104
Dear Mr.
Gray:
I am
writing you to very be careful that you do not inadvertently collude with the City
of Dallas in its ongoing incompetence in confronting its past. Specifically, its failure to recognize
Dallas’s special history regarding lynching and its possible use of a memorial
element to obscure its historical past or obscure its incompetence in
addressing the historical past.
If you
think this is fanciful or outlandish, consider that the City of Dallas almost
gave its large massive bronze equestrian Robert E. Lee to the Texas Civil War
Museum before I intervened alerting the Fort Worth press and others that this
museum had clear neo-Confederate orientation, and included in the building the
museum of the Texas Division of the United Daughters of the Confederacy. If
this had gone through the Texas Civil War Museum’s reputation and prestige
would have been tremendously enhanced and allowing it to function as a major
Confederate shrine. The museum is located in White Settlement, Texas and the
name of the town, which the voters had in a 2005 referendum voted to retain,
means exactly that, a settlement of Caucasians.
There is
an article on the Texas Civil War Museum in the Fort Worth Star-Telegram describing its sympathies with the
Confederacy. https://www.star-telegram.com/opinion/opn-columns-blogs/bud-kennedy/article206104929.html.
The article has a link to my very hastily written online paper on the museum. From
my documentation you can see why I consider it a Museum of the Confederacy in
disguise.
The
sentiments of the Texas Civil War Museum seemed to have been known by other
local historians besides myself. I think that the City of Dallas didn’t send
the monument to the Texas Civil War Museum, not because it would be a
reprehensible thing to do, but likely, in my opinion, because civic leaders in
Fort Worth were livid that this toxic waste of a statue was going to be dumped
on them.
I am a
published scholar: co-editor of two university press books, multiple articles
in peer-reviewed academic journals, and in Black
Commentator. I am also the recipient of the Spirit of Freedom medal from
the African American Civil War Museum in Washington, DC for my life’s work. Numerous journalists use my research with
attribution. My resume is online at http://templeofdemocracy.com/curriculum-vitae.html.
I am sure
you are familiar with the lynching of Ed Johnson in Hamilton County, Tennessee
in 1906 with the collusion of the local sheriff and which resulted in the only
criminal court case ever tried before the Supreme Court of the United States in
which the local sheriff was found guilty of contempt of court. For members of
your staff who are unfamiliar with the case, I recommend “Contempt of Court,”
by Mark Curriden and Leroy Phillips Jr. (Anchor 2001).
As is
often the case in Dallas history, Dallas has its own freakish racist elements
in regards to this notorious case. Neo-Confederate leader, William Lewis
Cabell, former mayor of Dallas, and at the time of the conviction for contempt
of court, Commander-in-Chief of the Dept. of the Trans Mississippi of the
United Confederate Veterans, led a campaign to have the president of the United
States pardon the lynchers found in contempt of the Supreme Court. The local
United Confederate Veterans unit, the Sterling Price Camp, on Nov. 21, 1909, voted
“unanimously” to support this effort. Many of the individuals in this camp were
civic leaders in Dallas.
This
hasn’t been generally known, since the Dallas Confederate Monument task force
seemed to be formed to sweep the neo-Confederate history of Dallas under the
rug. Make sure you don’t let them hand off to you their dust pan and broom.
W.L.
Cabell was a war criminal involved with the hideous massacre at Poison Springs.
The
Confederate War Memorial in Pioneer Park has a Cabell Medallion to honor him. A
major street in downtown Dallas is named after Cabell. The City of Dallas has
refused to change the street name and remove the monument.
Much of
the discussion of Confederate monuments has been about the Confederate leaders
involved in these monuments and the Confederacy, but little attention is given
to the dedication speeches themselves. I have given the speeches given at the
dedication and unveiling of the Dallas Confederate War Memorial detailed
review. It is about creating a civic religion to support the idea that the
Confederate soldier was a martyr for states’ rights. The speeches equated
Southern identity with Confederate identity and these identities as including a
belief in states’ rights.
This
directly ties the monument to lynching. Before the erection of this monument
afterwards there was a movement for federal legislation to prevent the
interference with elections and a campaign to get federal action against
lynching. States’ rights was the argument used to oppose legislation for civil
rights whether it was against violence in elections, lynching or otherwise.
This
neo-Confederate states’ rights ideology in Dallas shaped Dallas history.
Walter
White of the NAACP spoke out against lynching on April 29, 1938. To protect
White from violence the location of his speaking engagement had to be moved and
police protection provided. White was flown in at 3pm to give the speech and
flown out at 6 pm the same day to assure his physical safety. The leader in the
campaign of physical intimidation was Dallasite Earl E. Hurt,
Commander-in-Chief of the Texas Division of the Sons of Confederate Veterans.
Dallas
congressional representative Hatton W. Sumner fulminated against anti-lynching
legislation on April 15, 1937 in Congress with elaborate arguments based on
states’ rights concepts.
I would
also caution you about the group working on getting a memorial for Allen
Brooks. They are tasked also with providing a historical context for the
Confederate symbols at Fair Park. The misrepresentation of history here is that
the problem with Fair Park is only its Confederate symbols. As John Morán González in
his book, “Border Renaissance: The Texas Centennial and the Emergence of
Mexican American Literature,” (Univ. of Texas Press, 2009), points out that the
art work and architecture of Fair Park is a racial narrative of white supremacy
triumphing over Mexicans and African Americans. My studies have confirmed this
also. Fair Park is essentially the Texas Triumph of the Will and the artists
who created it are so many Leni Reifenstahls.
I am just
giving highlights of Dallas history in this letter, I am still doing further
research, and I am not mentioning the Ku Klux Klan material. I think what I
have mentioned in this letter should be more than enough to give you an idea of
the nature of the City of Dallas.
I think
the City of Dallas very likely would use the Equal Justice Institute sister
monuments as a façade to cover up its past and to construct a narrative how
good Dallas is now in contrast to its past.
I hope
the Equal Justice Institute doesn’t enable the City of Dallas in its failure to
acknowledge its past.
Sincerely
Yours,
Edward
H. Sebesta
CC: Eva
Ansley, Secretary/Treasurer; Ophelia Dahl; Scott Douglas, Executive Director;
Dr. Paul Farmer; Dr. Randy Hertz; George Kendall; Dr. Martha Morgan; Byran
Stevenson; Kim Taylor-Thompson; Kathy Vincent; and Carlos Williams, Executive
Director
Letter to Carolyn King Arnold about the Dallas Heritage Village
This is a letter I sent to Carolyn King Arnold, Dallas City Council member for District 4.
As of 1/29/2019 I have not received any reply.
As of 1/29/2019 I have not received any reply.
December
19, 2018
Edward
H. Sebesta
edwardsebesta@gmail.com
Carolyn
King Arnold – District 4
Mayor and
City Council
Dallas
City Hall
1500
Marilla St.
Dallas,
TX 75210
Dear Hon.
Arnold:
Recently
money was taken away from other arts groups and given to the Dallas Heritage
Village by the Dallas city council and there was reported considerable
criticism of this action.
I decided
to conduct a field trip to assess the Dallas Heritage Village (DHV). The entire
operation is a failure in terms of being a historical project. Well might they
use the word “Heritage” rather than “history” in their name, since it seems the
operation is primarily about nostalgia and not history.
In
regarding the DHV’s failures, a person could focus on their handling of the
Confederacy. At their book store you can purchase a model of Millermore as a
plantation house, and you can get a magnetized toy (Dress up set) in which you
can put Confederate uniforms on figures. However, this would be distraction
from their primary failure.
The
primary problem with the DHV historical interpretation in general is well
represented in the following picture as part of the historical interpretation
of the Renner School House.
This is
an all-white student body in a multiracial Texas. The past practice of segregation is not part
of the interpretation of the Renner School House.
When I
doing the field trip there were many students from the public schools and they
were mostly African American and Hispanic. What they could learn if it was the
Dallas Historical Village, instead of a theme park for nostalgia, is that if
they lived at the time, they would be placed in segregated schools.
They
would learn that in the historical period of the time of these buildings they
would never be allowed to walk through the front door of these houses, and
would only be visiting via the back door as help if at all. They would learn
that the people living in these houses would never consider socializing with
them and their families and the people in these houses would consider
themselves racially superior. They would
learn that they wouldn’t be allowed into the saloon except as help, or the
other stores on the DHV’s main street except as help.
The
primary and dominating aspect of Dallas is its economic inequality divided
largely along racial lines. Dallas’s
history is that of grudgingly implementing civil rights under the direction of
a federal court order, of racism, Klan revivals, of violence against African
American bodies, segregation, and racial exclusion.
The
students I saw at the DHV would with a real historical interpretation would
learn why many of them are in poorer neighborhoods with less opportunities, why
they and their neighbors have ended up in their situations. They would learn
about why Dallas has issues of economic inequality.
Yet, the
real history of Dallas is nowhere to be found in the DHV. The DHV
interpretation instead creates a nostalgic dream world of the 19th
and early 20th century. It is more akin to a Disney theme park Main
Street USA attraction than anything related to the historical past.
I expect
at some point to have a full assessment of the DHV and issue a report, but I am
backlogged in researching the Dallas racialized landscape and so the report
will likely be issued sometime in 2019. However, the City of Dallas needs to
start critically thinking about their support of the DHV now.
The
nature of the DHV is fairly obvious and the fact that it hasn’t been flagged by
the Cultural Commission for Dallas says a lot about what type of culture the
City of Dallas is committed to promoting. The fact that this type of cultural
production is funded by Dallas in 2018 says a lot about the real values of
Dallas.
The
erasure of the past and the failure to instruct on the historical realities of
the Dallas past is a far, far more powerful instrument to maintain a racial
order than a dozen neo-Nazi rallies. This erasure operates on a level in which
the person is not likely to be conscious of its operation and so it slips into
a person’s thinking without them realizing it.
The
question isn’t that money shouldn’t be taken away from other projects to be
given to the DHV, though additionally money shouldn’t be given to them, the
question is why the City of Dallas gives them any money at all.
I would
like to see a real competent historical assessment done of the DHV and the City
of Dallas take appropriate actions, such as cutting off all funding.
Sincerely
Yours,
Edward
H. Sebesta
Saturday, January 12, 2019
Dallas Jaycees cary giant Confederate flag down Commerce street in 1964.
I am going to put in this blog local elements of neo-Confederacy in Dallas history.
This was the original blog posting.
https://newtknight.blogspot.com/2018/02/dallas-jaycees-carry-giant-confederate.html#.XDn-R1w2qiM
Note the time is 1:24 for the scene.
Neo-Confederate often like to go one that it was some fringe elements that "mis-used" the flag.
Here we see the Jaycees carrying the flag as a protest against possible civil rights legislation.
This is the link to the video so you can watch it in full.
https://texashistory.unt.edu/ark:/67531/metadc1062768/m1/
It is about the sit-ins at the Piccadilly restaurant in Dallas, Texas in 1964.
This is the link to the story. https://blogs.library.unt.edu/yesterdays-news/2018/02/19/piccadilly/
The Confederate flag wasn't misrepresented by a few fringe groups. It was understood as representing white supremacy by mainstream southern society.
This was the original blog posting.
https://newtknight.blogspot.com/2018/02/dallas-jaycees-carry-giant-confederate.html#.XDn-R1w2qiM
Note the time is 1:24 for the scene.
Neo-Confederate often like to go one that it was some fringe elements that "mis-used" the flag.
Here we see the Jaycees carrying the flag as a protest against possible civil rights legislation.
This is the link to the video so you can watch it in full.
https://texashistory.unt.edu/ark:/67531/metadc1062768/m1/
It is about the sit-ins at the Piccadilly restaurant in Dallas, Texas in 1964.
This is the link to the story. https://blogs.library.unt.edu/yesterdays-news/2018/02/19/piccadilly/
The Confederate flag wasn't misrepresented by a few fringe groups. It was understood as representing white supremacy by mainstream southern society.
Subscribe to:
Posts (Atom)
Rally to change Ervay St. to Harvey Milk St. Sent Robert Jeffress and the 1st Baptist Dallas church a message.
We are having a rally to change Ervay to Harvey Milk St. This is the street which runs past the infamous First Baptist Church in Dallas, Te...
-
Years ago after testifying to have the Dallas Southern Memorial Association (DSMA) a reporter wanted to interiew me. So we sat at a table to...
-
It is one stop shopping for all the info you need. http://templeofdemocracy.com/lamar-street.html
-
We read about there being a Fascist architecture and a Soviet Archtecture, but we tend to think of Art Deco as just Deco, decorative and not...